Greetings
I’ve finally finished my newest piece, “Ares“, for symphonic band. For those of you that don’t know who Ares was (do you really not know who Ares was?), he was the Greek god of war in Greek mythology. Not this god of war. (Although, Kratos is incredibly badass.) I’d originally wanted this piece to be a twelve-tone moto perpetuo that dealt with my nightly struggles with insomnia. That didn’t really work. Obviously. I’d have to study more twelve-tone music before I even attempt to write a piece like that again.
I’ve always wanted to write music that was incredibly savage and engaging. Dissonant chords and bombastic percussion galore! When I finally settled on the idea of Ares being the inspiration of this piece, I knew I was in for a challenge. Not only did I have to push myself to write material that was more dissonant than I usually write, but I also had to write a piece that would challenge every single instrument. Since I’ve grown more in love with film and video game music — after so many people have told me my music sounds like it belongs in movies– I knew I wanted to go a bit cinematic with this piece. I think it relates more to the genre of trailer music. By the way, the soundtracks to all of the God of War games greatly inspired the direction in which I wanted to take this piece. Especially this track from “God of War 2“, although it isn’t on the official soundtrack. Some inspiration from Two Steps From Hell also helped.
Structurally, the piece is your standard ternary form. INTRO-A-B-A-CODA. For those of you familiar with my piece “Dionysian Mysteries“, you’ll notice fragments of that piece in B. This piece also changes meters during its entire duration. Alternating between 7/8, 2/4, 3/4 and a few bars of 5/8, 5/4, 3/8, and 6/4 thrown in for variety. It doesn’t stay in one meter for more than one measure. That was a fun challenge seeing as most of my pieces tend to stay in one meter for a long time and then they might change to a different meter sometime later.
There is no set premiere. I can’t wait to hear this piece live. I know I say that with all of my pieces, but since this is new, I especially mean it! MIDI never really does my pieces justice (especially with my style of writing). If you want to call what I compose an actual “style”.
Now, go give the piece a listen/look. If you aren’t a fan of mixed meter, high-energy, dissonant music, I suggest you listen to “Ares” a million more times until you are! Now, it’s time for me to take a break from music before I start back up in the Fall.
Peace,
C.L. Winston
